In collaboration with Rapp UK, and Illustrator Polyp, my role on this project was to produce a digital version of the novel, to be featured on the Co-operative website.
Working with creative agency Whitespace, illustrator Johanna Basford, and photographer Jakub Iwanicki, my role was to ‘stitch’ together the time-lapsed footage and create the animated elements of the piece.
This is a piece I created for an Edinburgh art event in September 2011.
I used the opportunity to experiment with animation (in particular stop-motion and time-lapse), video editing, and projection mapping.
Buildings are commonly used in projection mapping, but the technique can be applied to any objects or spaces.
My set-up was quite simple, projecting onto a wall of frames, with a row of books underneath.
All the imagery you see in the pieces was created from my own photography – about 300 photographs per piece.
The photos were taken and then stitched together to create the animated objects. These objects were then manipulated digitally, to be synced with the audio track.
There was no programming needed for the main part of the piece, but the light projected onto the books below the frames is live sound spectrum data from the audio track.
This data was processed and turned into a visualisation using Flash.
This is a piece I created for an Edinburgh art event in September 2011.
I used the opportunity to experiment with animation (in particular stop-motion and time-lapse), video editing, and projection mapping.
Buildings are commonly used in projection mapping, but the technique can be applied to any objects or spaces.
My set-up was quite simple, projecting onto a wall of frames, with a row of books underneath.
All the imagery you see in the pieces was created from my own photography – about 300 photographs per piece.
The photos were taken and then stitched together to create the animated objects. These objects were then manipulated digitally, to be synced with the audio track.
There was no programming needed for the main part of the piece, but the light projected onto the books below the frames is live sound spectrum data from the audio track.
This data was processed and turned into a visualisation using Flash.
This is a piece I created for an Edinburgh art event in September 2011.
I used the opportunity to experiment with animation (in particular stop-motion and time-lapse), video editing, and projection mapping.
Buildings are commonly used in projection mapping, but the technique can be applied to any objects or spaces.
My set-up was quite simple, projecting onto a wall of frames, with a row of books underneath.
All the imagery you see in the pieces was created from my own photography – about 300 photographs per piece.
The photos were taken and then stitched together to create the animated objects. These objects were then manipulated digitally, to be synced with the audio track.
There was no programming needed for the main part of the piece, but the light projected onto the books below the frames is live sound spectrum data from the audio track.
This data was processed and turned into a visualisation using Flash.